In this paper, I shall explore how Namjoshi’s diasporic narrative is alive with lesbian-feminist subjectivities that spark the creation of new spaces, postcolonial hybridity, and metamorphosing bodies and identities. Namjoshi’s fictional universe teems with hybridity, intermingling, ‘strangeness’ and ‘foreignness’ that come from the challenges of contending with stereotypes of race, sexuality and gender in a white heterosexual paradigm. 3 The Jataka Tales are Indian fables derived from Buddhist lore in the form of birth stories of Buddh (.). 2 The Panchatantra may have been written as early as the second century BC.1 All references to the beast lore fables of Aesop that the Latin author Phaedrus translated from the (.).
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